The wood-slate fence has jumped from being a simple signifier of “this house has been flipped” to becoming a part of the construction of the house itself. The above is a photo of an actual house in Boyle Heights being offered for rent at $2995 for 3 bedrooms.
Whereas previously the function of this fence was to shield its new, well-heeled owners from the insufficiently gentrified neighborhood, these wood-slates now are free to signify “flipped” no matter where they are placed on the home.
Basically the art world exists to make money for a small number of people and to make a larger number of people feel like they’re cool. The first purpose is just capitalism. The second is an effect of capitalism, because only in a world as ridiculous as ours would standing around in mostly empty white rooms be considered a valid form of community. This probably sounds cynical, and in a way it is. But if you think about it, the fact that lots of people have nothing better to do with their “free” time than to stand around in mostly empty white rooms, rooms that make a huge amount of money for other people, is a good reason to destroy pretty much everything.
Originally published on Ediciones Chafa on May 24th, 2016. Here we re-publish it so that it can continue to be accessible for those of us with a critical view on Art and its role under Capital.
by Asmodeus, a friend of the project.
Eli Broad is a multibillionaire. He made his fortune constructing tract homes, which is to say by pumping hot air into the pre-2007 real estate bubble. Later he moved into life insurance as well. Some of that money ended up bailing out LA’s Museum of Contemporary Art (MOCA) around the time the housing market was going south – the museum had been hemorrhaging funds for years. It was a maneuver that some have described as closer to a hostile takeover than an act of philanthropy. Notably, Broad’s intervention was closely tied to the arrival of a new director – the gallerist Jeffrey Deitch – who fired the museum’s widely admired chief curator, Paul Schimmel, in 2012. Other wads of cash ended up at the Los Angeles County Museum of Art (LACMA) – where the donor had Renzo Piano build the quasi-autonomous Broad Contemporary Art Museum – as well as the Los Angeles Opera, which promptly used the funds to stage a full production of Wagner’s Ring Cycle. These actions, among others, won Broad a reputation in the art world as LA’s resident Maecenas-cum-Evil Emperor, with Deitch, perhaps, playing the role of a bumbling Darth Vader.
Originally published in Spanish by Comunidad de Lucha (Chile) on Febr. 2nd 2018. The original text can be found here. It says in a clear and propagandistic way what Gilles Dauvé said in an long essay we recently translated here.
Vacations make up the most anticipated moments of the year for most of us who work to get-by in this society. It’s the time when we cast off the burden of work and its stressful competitiveness so that we may dive into our own interests, and to finally feel free to do what we want.
So like back in 2016 I wrote a text about anti-work and Chicanxs/Mexicans and I’d like to share this excerpt since talking about 90s ditch parties is now in vogue though they are often spoken of apolitically. Here I attempted to bring it into the realm of antiwork, or maybe it could even be thought of as a kind of refusal to grow-up to just sell their labor-power and a racialized discounted price. Trying to get the fuck out of this world & have a good time, instead of trying to save it.
What follows is a long essay by the French communization theorist, Gilles Dauvé. It is a long read, a read which varies in content and tone but a text which masterfully summarizes the communist critique of work. The original can be found here at Troploin. He also dutifully notes that without the abolition of work there can be no communist revolution or communism. We hope you enjoy reading this as much as we enjoyed translating it. ¡A la chingada con el trabajo!
In 1997, in the French department of Sarthe, some 20 workers were constructing a section of highway under the direction of an engineer employed by a large company, BTP. After two months the engineer was arrested: no one had ordered the work that was partially done, which with an initial financing, the false construction site manager had successfully hoodwinked both banks and public organizations. Between 1983 and 1996, Philippe Berre had been convicted 14 times for ordering false construction sites. In 2009, “The Beginning,” a film inspired by this whole adventure was released, displaying a population struck by unemployment which briefly found work and hope. Phillippe Berre was not motivated by personal gain, but rather by the need to do, to be of use, to reanimate a group of workers. In 2010, once again, he took on this role while helping those affected by Cyclone Xynthia.
To the citizens of Mexicali, Baja California and México,
To the regional, national and international media,
To the three powers of the government of Baja California and the municipality of Mexicali
Today’s events are a sign of how far our government is willing to go when the interests of our supposed representatives are put at risk. Because it is not our interests which are in danger when the construction of an aqueduct is detained which would bring 7, 20 or even up to 30 million cubic meters of water for the production of a foreign and multinational factory. When it comes to our interests, to be precise, the interests of the Mexicali families which want peace, health, education, housing, land and freedom, our interests are doubly trampled upon, when besides constructing business projects which serve to rob us our suppose representatives do so with public money (over time the lands which we won in 1937 will be taken away.
Originally published in French on Lundi Matin on Dec. 23rd 2017 here. Translation follows.
Richard Prince takes up Marcel Duchamp’s gesture with a new form of cryptocurrency in place of a urinal.
As Web Neutrality 2.0 beats its last few heartbeats, some artists are having a bit of fun with Web 3.0 and try in this moment to question technological infrastructures and the economic mechanisms behind this “new” web.
Originally published in French by Lundi Matin on Oct. 1st, 2017. Translated from Catalan into French by Alèssi dell’Umbria. Here we present our translation into English. Although we may not agree with a position that advocates for another republic or voting, we share this to deepen the understanding of this present moment in Catalonia. Further reading and listening on this in English can be found here and here.
by Santiago López Petit, a Catalonian, a chemist and philosopher.
There are situations where reality becomes simple. The time has passed to test the veracity or falseness of arguments of those who pretend to defend the Spanish union or proclaim Catalonian independence. It is also no longer necessary to look back at the year 17141, nor to go searching in the more recent discontent. When the call is made for “Law and Order,” all of the sudden, everything becomes clear and each position appears perfectly defined on the field of play. Then, in a visceral fashion, those of us who have remained silent know where to situate ourselves: we will always be those who confront those who would call again for the reestablishment of authority. We know very well a phrase coined in France during the revolution of 1848 that says: Legality kills.
Originally written and published in Spanish by Mexican Anarchist-Communist comrades Antagonismo, here, on Sept. 26, 2017. Translated by Noche of Mas Ultra.
… Well then, why aren’t we going to rebuild in even better conditions to replace what has been destroyed? Because ruins do not trouble us. We know we are going to inherit nothing more than ruins, because the bourgeoisie will try to destroy this world during its last historical phase. But – I repeat – we are not troubled by ruins, because we carry in our hearts a new world.
September 7th. The arrival of Peña Nieto in Oaxaca, on the 7th and 8th of September, demonstrates how the government, armed forces and business interests work in conjunction to extract the highest level of economic benefit and profits at the expense of the territorial dispossession, exploitation and misery of working people, in this case of the Oaxacan worker.